99. New Classes, New Consciousnesses, New Solidarities1

and each time we return we shall receive illumination
a real team I say rooted in bodies still
a process run on here of sharedness & little children
blameless improvisation now2

To Apply a Gloss3
Is there memory still of Dion Fortune in this town? Where unmade roads on its disordered edge lead up to new millionaire mansions & cheap executive apartments? Here, where Dr Moriarty’s eyes pierced her shell of flesh to lay bare what that flesh could emerge into? Oh, a practical Englishwoman making up magic in a home counties country town, through force of will, self‑cultivated power & skilled improvisations. Here’s what there is: where we return to is what root there is.4

Oh loveliest Hertfordshire, Karla & Darrel don’t like you much, & who can blame them? This little southeastern tip of Offa’s empire (remember her?) joined on just here to a small lump of East Saxon land: let’s make a new start. We still do avoid Hertford, I guess – better down into London (another lost part of Essex). Maybe at our roots, even to Harlow, just to doss there & wait out the bad times in the company of mates. And I’m not sure what D.F. would have made of them, that is of us. I’ll just trust she’s lost by now that racial crap, & knows how identity comes from circumstances & will, enlivened through the fertilising energies of hybrid vigour.5

Now, food made & shared together is magic too. Everyone who is real knows this: bards, sea nymphs, small children. That’s why the Christian Church had to cut out the love feast & replace it with ludicrous small-scale professionalised rituals: a symptomatic compulsive repetition. Wasn’t it so much simpler? And in this case can’t it be again?6

Listen to this. That will be when the overcomplex systems stutter into incoherence & we improvise our own new world out of the bits left. Yes?7

 

 

1 “Oh thingummy! He’s off now!”

 

 

2 “Improvisation! More like shuffling around the same old words again.”

 

 

3 “Well, maybe if I’m doing these notes, I’d better say there’s a bilingual pun on “shine” here, because I don’t think you’d get it otherwise. And I wouldn’t blame you at all.”

 

 

4 “No! Not magic, please. I thought he’d forgotten all about that – but it comes flooding back now I suppose. There was a note about this stuff somewhere I think – but I can’t be arsed to look & I’d be surprised if you did.”

 

 

5 “The boundaries of Dark Age Hertfordshire. Can you get that? Who could really bloody care about all this malarky? Who would read it? Well, yes. That question’s answered. We’d better humour him. Tom Williamson, The Origins of Hertfordshire (Hertfordshire Publications, 2010). Oh, it’s all academic. Still mad suppositions about the unknowable, that means – just with a bibliography. And there’s a good photo on the cover: The Devil’s Dyke. I like that all right.”

 

 

6 “Don’t you just hate it when men go on about children & domesticity, and how important it all is? God save us, please!”

 

 

7 “Well, alright then, maybe we can follow this. It’s a good political programme – but I don’t what the jesus this is to do with poetry now, do you? Or is that indeed the cunning avant-garde trick of it? Am I being bloody naïve here? Or not naïve enough? And I’ll tell you one more thing – I’m surely now fed up to my teeth with his bloody old poetic prose.”

98. Sigillum Rei Publicae Gentium Albionis1

     U  POLISHEDRAALL
     SHOE OSMFRIEND
    WAETOOS AL EPDR   R
    HYROP SGLY  EAI   EACH
    ASE LIVEL S NWA   PLEASURES
    THOSE  T  T TNN   UB
    HGODSAID  R O O   BIBLIOPHILES
    I OUR O   A F T   LO
SOAPSUDDENESM N  BREAKING
    W   P SWOAG   Y   C
    A  JUSTORNE
    LMAYBERLNDN
    LWORLDOLIIE
    OAGAINYENRS
    W MUCHANGES  C
    S  TOF   CH  OWI
     SELFLASHTA CMHN
    GILDAND  ET HPOTTERIES
    FREELY   DTBOLLOX
    R   BLAMELESSEEU
  B EDELIGHT  R EX T
  LDE XTOLD T EGNIGHTLIGHT
  AILBURNOW H DLI  I
 SCRYL  OUTSIDEIG  S                     W
  KT USTART N  TH                        E
   Y TTHISTARS TT             L          R
     WHOLENTIREELS            O          E
   W    OLD N  R      M      OWLTIME    PV
   H   LOVE  J I      E   W   L         EE
   AGAINLETS O N  A   M   O   I         OR
   T GROSSMOKINGIRL   B   N   E  L   PALPIST
    RAYS   F NCOMEL  CRM  D   N  I SHINGLE
   FAILURE FTIMID G  AAE  EL  E  VLA ND E
  PLANETSFRAGMENTSE  NNIMPROVISATION KE S
  SURFACESCHLAFGESTALTEN   V  S  NSD  A
   N             THATH     E     GTRODDEN
   K           TIME BETTER

 

 

1 “And what this is here – I don’t think I can even talk about it. Let it just crystallise itself out, a thin scum of language fragments, faintly glittering.”

96. At Last, Polly Walker Asks the Right Questions – But Who to?

• What I mean now Polly is I don’t know: all this elaboration, all this language – the fragile ice above the vast black lake of what there is. The pressure & the cold & the total lack of light within the depths – abased is one thing, abyssal all the rest.1

 
• Don’t you know this? Can’t you say this too? This language also fully integral to the deep dark, stained w/ centuries of bloodshed & contempt. But you know that already don’t you Polly – at one point there must be an acceptance of the wicked old, broken old world we live in, & then next up we embrace its sheer fucking heterogeneity, all the sloppy mixed up mess pullulating like flies in shit – oh how beautiful their metallic green sheen. How lovable.2

 
• the debris of all
                    – spread about
                    ripples of occurrence

                    o      look       how
                    each letter
                                interacts
                    each sound

                    I love it

                              like flies
                              like shit
                                   shines

 
• Oh come on please Polly. I know – “man”! – still must be nearer than turtle. Yes cladistic thinking is pretty primitive – the one thing we know about actual information is that it won’t be binary. It’s just more easily faked that way. This language just bends to ideology & oppression. We hear this we agree, let’s concentrate on where what face is speaking is building power, rather than fading & farcical. If you’re not a turtle you must be more man, even in that smoke-stained fly-green dress of yours.3

 
• And everything else here that’s raised is just figures or possibilities. Their number is unfinished as that of flies, breeding as we count them, as people as we count ourselves, as gods, uncountable as all our words. Dispossessed & homeless migrants, each equally remarkable. Let’s just forget what we’re called or numbered & concentrate on what we are.4

 
• I’m not saying it’s you Polly, except when you stand before me as I see & hear your voice.5

 
• Nor the Veer Book Collective. For a bunch of guys they’re not bad really you must agree. Good work has been done etc. Let them do as they wish – it’ll all be good.6

 
• I’m not sure to be honest where we’ve got with all this Broadstairs stuff. Something like – here’s where Procopius’s dead would arrive, at the little harbour (more suitable than the quayside at Barnstaple), and then ascending the road, left along Albion St (what else would it be called?) & then turn in at what is now the Chapel Bar, formerly a bookshop, anciently a shrine, still with its gothic windows & the bulk of its stock available. There we are you can go & do it. This is a poem about actual things.7

 
• And finally we can all go to Turbamento III in the basement of the Betsey Trotwood in Farringdon, October 12. See you there Polly. Let’s sing the praise of Eddie Bolger, Evi Heinz, Dave Miller, Will Stuart & Paul Ingram. Don’t you just love the inrush of fresh new things?8

 
• that inrush
              – oh needed novelty

                fresh migrants
                w/ new voices

                that’s all the need
                this poetry
                            here9

 

 

1And what do you know of being abased – you & your scary dark lakes?”

 

 

2 “Ah, acceptance. There are times I’m glad I played with Big Ted when I was a wee girl.”

 

 

3 “Oh, jesus fucking christ! Fading & farcical is the father-right, he says, spreading his chlamydiac thoughts around like a load of old spunk.”

 

 

4 “And what the fuck are you then? Bloody nameless & probably innumerate to boot.”

 

 

5 “Never doing that again, I can tell you.”

 

 

6 “‘For a bunch of guys’. Didn’t you use to say ‘’nuff said’?”

 

 

7 “Actual things! Anything that bolsters your own bloody fantasies, you mean. You’ll turn up now, turn hard right & vote for Farage, won’t you?”

 

 

8 And you never went, did you? Chickened out of any actual contact with anyone actually doing any actual new things. Oh well done, mister.”

 

 

9 “And just so’s you know – I’m taking over these footnotes from now on, from that Nearly Dead White Male who’s been spouting all this rubbish up above, like the last of The Old Gen Poets. He’s not even been counted in Steve Fowler’s Second Hundred Best Poets, has he?

“And I’m called Sarah Twomey today, as it happens. So I’d be grateful if you’d take some little awareness of that as well.”

93. It’s All About Speech1

(Costa Coffee, Potter St, Bishops Stortford, September 10 & 12, 2012)

Filthy after we put our tent up
                                – oh
here we are
            singing squeakily
                              – not disordered
glittering I’d say rather
                          not
                              no not
                              some blurry mess
undelicious
            folk songs
            & the way I was sitting
            I just woke up one morning
            I can see you’re laughing now
                                          Sarah
                                          do you know the website
                      never miss the carnival
                      the laughter, too
                                        is changing
                                        this time
                                        preserving
                                        all possibilities
                                        everything
                                        on my back
– take it as a warning
                       please

 
And then I see
               they’re still doing that
                                        in the car park
                                        – you know
                                          another time
I bought it there
             they know it’s naughty
                                    but all at once
                                    huge & flaming
                                    I think it says
oh mongrel joy
               we do need you
                              any way
we will
        protect the wildlife
                             I get the cynicism
                                                no one
that’s why we’re doing things
                              take it as a warning
                              it won’t last long
                              in the end
                                         all fuckd up
this world
           I’m sorry
                     only photocopies now
                                          ripped & torn
that’s why created collage
                           heteroclite fragments
                                                 – oh we are!

 
It’ll take time to bind them up
                                all she sd
stands on the quay
                   come down from the fells at last
another person in front
                        finally we’ve moved on as well
just typical
             this young world
[pounding beats
                – easy, easy
                  several
                  minutes at will
                  the colleges
                               have got to understand
                               call off their choirs
                               yeah, yeah
                               let’s enjoy this now
slap of the water
                  the little lake
                                  where we stopped one day
suddenly
         what holds this together
                    familiar faces
                                   – Sarah
                                     you’re not eating bêche-de-mer
                                                                    again?
                    buns for the weekend
                    simple things
                    usable & valued now
                                        what they are
                                        we are too
                                        what we are
                                        familiar to you then and
                                                                 [fade

 

 

1 Two Keston Sutherland quotes from Hix Eros 4: On the Late Poetry of J.H. Prynne (2014) on the relationship between speech & poetry:

“Poetic thought,’ in Prynne’s sense, is located at what he has called the ‘borders and edges’ of language, that is, at the vastest and most nearly untraversable distance from the material corruptions of workaday language, which Prynne in 1986 called ‘the false & corrupted idiom of residual, vernacular commonalty as almost pure cant.’” Keston Sutherland, “Introduction: ‘Prynne’s late work?’”, p 10

“Poetic thought is not self-consciousness, but the truth of things, and poetry in its radical truth is not what humans speak, but the shining of the lexis in its priority to the subject.” Keston Sutherland, “Sub Songs versus the subject: Critical variations on a distinction between Prynne and Hegel”, p 132

Prynne’s argument is as follows (simplifying somewhat):

“the French keep this connection between singing and the edge, as in English chant and cant: offset or cut back at the leading rim, the sing-song of beggars demeans the word by giving it street-life and media hype”

“English chant and cant (=tilt, border) are not related in origin, any more than French chant and chant which must be separate words which ‘happen’ to have converged in the same form. But English chant and cant (= obscure argot) are related, and historically it seems that the (to lay folk) unintelligible Latin ritualism of liturgical performance may have triggered a resentful sense of an exclusive dialect, thence parodied by the socially rejected who then imitated the speech-tunes while inventing their own reserved formulations. Cant thus early descends into the underworld, seeming to the confidently rational a threat to the comprehensibility of open, lucid speech. It is demeaned not so much by its dark side, however, as by the ingratiating face offered to its masters and pastors, its solicitation of a false sympathy exploited for gain. … this would leave a false & corrupted idiom of residual, vernacular commonalty as almost pure cant: the daily diet of television, say, or the higher newspapers.”

from J.H. Prynne, “Extracts from Letters to Anthony Barnett” dated 5th January & 22nd January, 1986, pp 162 & 164-5, Michael Grant (editor), The Poetry of Anthony Barnett (Allardyce Book, 1993). I’m not deeply convinced by any etymological arguments (oh dear!); and even less convinced by Sutherland’s more general application of Prynne’s phrase. Not one to haggle or even heggle, I’m more for cant, whether thieves’, beggars’ or professional, than Kant. No absolute in language beyond our use of it; no origins beyond the factuality of what we are & speak.

92. At Our Back, Disordered Noise:

“children are responsibility, grandchildren our hope”

At our back disordered noise
things get unforgiving here, not helpful
oh children, children, children, are you redeeming
are you collapsing us w/ scarlet rooty-tooting
like the ending of all natural delusions
into need, demand, uncertain laughter
everything changing, yes, into itself & nothing
our bodies’ transformation into tapirs delicious
too much so
            we preserve no possibilities this time

no sense in here, little creatures, no
just infinite hunger & the remains of spittle
our enemies now huge and flaming
“these are ours and therein all that is”
let’s be waving at friends from the future
maybe laughter & perversity make a redeeming couple
glimpses of waterfowl pattering across the quay
what threatens the world will not protect these
only us with what heteroclite fragments
                                        best to use

just typical of this young world
lots of that pudding please
I miswrite here, OK –
like you disordered children
all her smutty fragments
oh Sarah I can’t stand it
just switch attention off the mess
then it’s all about speech
unusable & valueless
                     but a bit familiar to you then