53. Here Come the Geldi Again

creeping out in the sunlight
like we all do nowadays
 

birdsong & glitters
unplanned under clear sky
 

hidden safe then
from Satan’s Watch Fiends
what the gods are we can tell
– breathe on the mirror & let
                    us appear
 

“Everything tends towards catastrophe, & collapse
I am interested, geared-up and happy”

Winston Churchill, August 28, 1914, quoted in Christopher Clark, The Sleepwalkers: How Europe Went to War in 1914 (Penguin, 2013), p 201 (citing Hew Strachan, The First World War [Oxford, 2001), p 103)

 

We die, we are born
& in between
scrabble about a bit
 

oh this stormy weather as the year begins
great things might come over or
yet another upwelling of that shit-filled water
 

mongrel warnings now:
true Anglo-Saxons born
already hyphenate
– our new native land
scraped clear then washed
bare rock corroded only by sunlight & rain
will welcome all immigrants
– come spread your fertile filth!
life upswinging here joyous as kitsch
 

largeness & laughing
noisy by nature
curiously lovable
who wouldn’t want
not worship
but welcome
 

i Im Arme der Götter wuchs ich groß.

ii Einig zu sein, ist göttlich und gut; woher ist die Sucht denn
Unter den menschen, daß nur Einer und Eines nur sei?

iii Liebt die Götter und denkt freundlich der Sterblichen!
Haßt den Rausch, wie den Frost! Lehrt und beschreibet nicht!
Wenn der Meister euch ängstigt,
Fragt die große Natur am Rat.

Hölderlin, op. cit, “Hyperions Schicksalslied”, p 27, “Fünf Epigramme: Wurzel alles Übels”, p 36, “An die jungen Dichter”, p 19

 

a hank of hair is a little picking bird
– see it fly away now

52. A Recipe for I Don’t Know What

for someone close to me

Can I really give you this advice
everything hanging in frozen air
great stillness and profound arranging
all this emptiness within
we know one moment it will switch
a full plenary of rain
or the dingy mush when heaven is obscured
but today bright, delicious

OK, well, how can I
except as an other
in a world where what the gods wrote
is a phrase for laughter
& quite rightly not honour
for what the gods are is familiar
as ourselves
             their huge absoluteness
like vast capital letters
to say: this is more than troubled optics
dismal banality of entoptic flux
oh let them then be counters or relics
we shuffle to work out the final sums
our lives suddenly ending up as here

So, they’re contained & quivering
vibrating within this flawed blue bowl
heaped then in holiness
                        children &
                        parents &
                        partners &
                        families &
                        houses &
                        distances &
                        money &
                        its lack and
                        the decay of things
                        their inadequacy
                        & besides
                        the whole nature
                        of rule & control
                        & the point at which
                        what we’ve got is still better
                        than the guys w/ hatchets & big hammers
                        & then too
                        that absolute
                        sense of difference
                        to the world
                        & people
                        we are variously
                        born into

                        I can’t see
                        really
                        your collection
                        I expect
                        I’ve put
                        the ingredients here
                        & then
                        what processes
                        of lives & aging
                        of saying & not saying
                        of meaning & projecting
                        of hoping & of fantasising
                        carried on or rejected
                        the rules are rigorous
                        & I don’t understand them either
                        I think it needs
                        negotiating tenderly
                        as if a dark room
                        approaching the little one
                        & I know
                        you can do this
                        & do it so often
                        that all can be well
                        as the room’s vacuity
                        will surely decay
                        within hazes of nothingness
                        into human love acting

Then, like
it’s starting to bake
let it cohere
around what there is
& who there is
that runs around
laughing with life
believe in this
as your gods
hidden within
this sorry world
to redeem us yourself

[I got this from nowhere but here, and having stood here, all my life.1 I don’t really know what can help you; here is where “hope” and “faith”, like brown and red sauce in an unreconstructed cafe, make the whole mess better is the plan. Somehow & nevertheless these things may work – tenderly, not splurging, never to gain, but to live within & give. Yes?

But nothing is really from nowhere & I did get some of this recipe from Kenneth Rexroth’s poem “A Sword in a Cloud of Light”, from the sequence “The Lights in the Sky Are Stars” (dedicated to his daughter, Mary), The Collected Shorter Poems (New Directions, 1966), p 239 – tho first encountered by me with surprised delight on an A-level English “unseen poem” paper I was teaching.]

 

 

1 To lead on further, through the pressure of the maintaining of the reality of powerfully projected mental forms I’m exploring, as you know, through Dion Fortune, Stortford’s greatest student. Thank you here then too, Dr Theodore Moriarty, and all at The Grange.

50. A Fragment Newly Translated out of the Language of the Gibberim

If this is what the gods said, everything
a mirror we live in, yes, working
against the harsh needs we slide across
– then the story’s not believable. Yet
OK, we’ll rearrange it, oscillating
gently within a blue bowl, almost translucent or
vibrating within the utterance of that god
or just living tenderly inside some empty room.

48. & All the Silver Geckoes. . . 1

what do they dream of
we’re crossing the line now
to improvise power
briefly against or for

do they know more than the cats
leaping across the fenceways
a whole new geography
superior to our own

does our flesh know
accepting its comfort
whatever really
it might sleep after

we give to all vagrants
one single name
but every name different
every one so

like the gods much the same
all you’d imagine
centreless & white
then clear as a mirror

any escape will do
to get us outside
we blame & we love
out into wildwood

escaping like people
just denying this nightmare
let’s see what it is
really around us

the words are our wonder
yes we can learn
wander into these schools
& understand what is said

the year ends and
we’ll see then through vapours
the first glimmers
a new fragrant tone

our age doesn’t matter
does it Karla & Darrel
tenderly hand in hand
oh, this city now is ours

 

 

1 Crossing (or Xing) the Line reading series, organised by Jeff Hilson (with Sean Bonney), held, at the time of writing, upstairs in The Apple Tree, Mount Pleasant, Clerkenwell – the room redecorated in the summer of 2013 with a gorgeous wallpaper, black with silver lizards, as background for the poets (plus photos of Marx & Lenin – for the benefit of CWU meetings also we guess). Facebook page: https://www.facebook.com/groups/140494812663758.

47. Taking the Royal Road (that’s free to all)

the power of dreams
                    against
 the dream of power
 

it was the day
when the cats went out to settle all the fate of the world between themselves
then went back in & tried to tell us
 

flesh isn’t gendered
only intent
 

once we all had the same name
now every name is different
 

“Large figures, dressed in white, were conventional types of divinity, but they bore no signs of personality, and unless they spoke, the question of identity was left open. Even when they did speak, they could not be expected to be direct . . . usually, they gave hints and riddles.”

Robin Lane Fox, Pagans and Christians: in the Mediterranean world from the second century AD to the conversion of Constantine (Penguin, 1988) p 158

 

Thank those gypsies w/ their tambourines
or no one’ld ever have left their home
 

floating down out of the mountains
attention to circumstances
will become delicious
 

shriek & french & italian
– any language but this!
 

“Als wie ein Ruhetag, so ist des Jahres Ende,
Wie einer Frage Ton, daß dieser sich vollende,
Alsdann erscheint des Frühlings neues Werden,
So glänzet die Natur mit ihrer Pracht auf Erden.”

Hölderlin (signed Scardanelli), “Der Winter”, in ed. Michael Hamburger, Hölderlin (Penguin Books, 1961), p 259

 

“We ran, silently, from the grey-green pathways of the mountain pass into the quiet, colourless streets of the city. We sought out friends. We had wandered, maddened and goaded, for all our lives it seemed: now to dwell and live and again to build.”
An old couple, tenderly hand in hand, had sung this song.